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1730s Portrait of Diallo
1730s Portrait of Diallo
Richardg234
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8:24 PM
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From almost the
moment he touched ground in London, Diallo won the respect of the
leading lights of advanced learning in England and ultimately entered
the annals of history as a figure embraced by the global abolitionist
movement. Known as Job ben Solomon in England, Diallo returned in 1734
to Senegal, where he represented English interests in the region. He
died there in 1773.
The recording of Diallo’s likeness by William
Hoare, a leading English portraitist of the 18th century, is referenced
in memoirs published by Thomas Bluett in 1734. During the sitting,
Diallo insisted that he “be drawn in his own Country Dress” rather than
in European clothing.
A rare 1730s oil-on-canvas portrait of Ayuba Suleiman Diallo, a
high-status African who was enslaved for a time in North America, has
been acquired for exhibit at the American Revolution Museum at Yorktown,
replacing the Yorktown Victory Center by late 2016. It is one of two
known paintings of Diallo made by English portraitist William Hoare, the
earliest known portraits done from life of an African who had been
enslaved in the British colonies that became the United States of
America. The portrait, on temporary exhibit at the Yorktown Victory Center June 14 through August 3, will be placed in a section of the new museum’s galleries that examines life in the 13 British colonies prior to the Revolutionary War.
Diallo, shown in the portrait attired in a turban and robe, wearing around his neck a red pouch probably containing texts from the Quran, was born in 1701 in Senegal to a prominent Fulbe family of Muslim clerics. During a trade mission on the Gambia River in 1731, he was captured and transported to the colony of Maryland, where he was enslaved on a tobacco plantation on Kent Island. Diallo drew the attention of lawyer Thomas Bluett, who ultimately arranged with the Royal African Company to secure his freedom and sailed with him to England in 1733.
The portrait acquired by the
Jamestown-Yorktown Foundation is 14 by 12 inches, with the subject’s
upper body against a landscape background within a painted oval. While
the portrayal of the subject is quite similar to Hoare’s other Diallo
portrait, which is owned by the Qatar Museums Authority and on loan to
Britain’s National Portrait Gallery, the two paintings differ in size.
Diallo is turned toward the left in one and to the right in the other,
and the Qatar painting has a solid background.
In a private collection since the 19th
century, the Diallo portrait was acquired for the American Revolution
Museum at Yorktown with gifts to the Jamestown-Yorktown Foundation,
Inc., including a lead gift from Fred D. Thompson, Jr., a member of the
Jamestown-Yorktown Foundation Board of Trustees.
The story of Africans and African Americans
during the Revolutionary period will be an important component of the
American Revolution Museum at Yorktown’s 22,000-square-foot exhibition
galleries, featuring period artifacts, re-created immersive
environments, interactive exhibits and short films. Spanning the
mid-1700s to the early national period, the galleries will present five
major themes: “The British Empire and America,” “The Changing
Relationship – Britain and North America,” “Revolution,” “The New
Nation,” and “The American People.”
The American Revolution represented the
beginning of the end for slavery in the United States. The Revolution
certainly didn’t end slavery by itself, but it created an intellectual,
moral and political climate in which slavery could not survive forever.
The Ayuba Suleiman Diallo portrait provides a face for the hundreds of
thousands of enslaved Africans and African Americans who constituted a
major part of late-colonial America’s population, but who remain largely
unknown.
Category: All About the Revolution, Blog | Tags: American Revolution Museum at Yorktown, Ayuba Diallo, William Hoare
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